![]() ![]() But whether or not that’s the case, opening story The Dragon Turret has some overly edited / overly crafted paneling that feels more artsy than readable, making the back and forth of the story a little hard to track – visually – even though we definitely get a feel for what’s what through the characters. If the cover seems indicative of Little Nemo – it does to me – that’s a good touchpoint: these are stories that start somewhere normal and then branch out into the mystical, sometimes erring more toward humor or more toward pathos, but always fascinating, and with tonally appropriate variations in Ryoko’s art style, as befitting each story’s mood.īecause this (or some of it?) was created before Dungeon, there is also some narrative roughness early on, if we’re supposing the seven stories are presented in the chronology of when they were made. ![]() ![]() But there’s even wider appeal, here, as Kui’s lil’ fables are of that term’s mold, not so much requiring awareness of / appreciation for the fantasy and RPG tropes that can help shape DiD, and not having the (misleadingly) niche focus of cooking manga. It’s an easy recommendation: if you like (or LOVE) Delicious in Dungeon, Ryoko Kui’s collection of 7 short tales – Seven Little Songs of the Dragon – will also guaranteedly be liked or loved. ![]()
0 Comments
Leave a Reply. |